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Bacon Earrings
Glass beads and thread
2012
艺术家大卫·查特(David Chatt)用发现的物品和微小的白色珠子创作了一幅全白色的作品,探索他的过去、家庭和记忆。早期的作品更纯粹是装饰性的,比如他的彩色早餐套装(2004年),而在过去的几年里,查特简化了他的调色板,探索了他生命中情感的深度,投入了更多情感的工作。
Teeny-Weenie-Peenie Bracelet
Glass beads, thread, pink foam ear plugs.
2012
在过去几年创作的作品中,查特特别借鉴了他的个人和家庭历史,选择了一些有意义的物品,比如20世纪80年代初的一个立体声录音机、他已故父母的床头柜里的东西,以及他母亲用来制作无数顿饭的工具。艺术家用玻璃珠子和线小心翼翼地覆盖着每一件物品,他把这种覆盖的行为描述为一种封闭和保护自己记忆的方式。
Orange Triangle Bracelet
Glass beads and thread
2003
Artist David Chatt explores his past, family, and memories in all-white works created using found objects and minuscule white beads. Whereas earlier work was more purely decorative, like his colorful Breakfast Set (2004), over the last several years Chatt has simplified his color palette and plumbed the emotional depths of his life for more emotionally-engaged work.
Artillery Necklace
Glass Beads, Thread, Plastic Soldiers
In pieces created over the past several years, Chatt has drawn specifically from his personal and family history, selecting meaningful objects like a boombox from the early 1980s, the contents of his late parents’ nightstand, and the tools his mother used to create innumerable meals. Using glass beads and thread, the artist carefully covers each object, and he describes the act of covering as a means of both sealing off and protecting his memories. He shares with Colossal, “This process has the power to transform an object that, might as easily be relegated to land fill, into something precious and a record of a time, place or experience, something that encourages my audience to reflect on their own experiences and complete the story that I have begun.”
Glasses & Pearls
Glass beads, thread, found object (hand not included)
2013
Chatt studied design at Western Washington University, Bellingham, in the late 1980s, where he recalls that a 6-foot-five male pursuing beadwork was not warmly embraced. Over the years, he has continued to refine his beadwork through post-secondary study. You can see work from Chatt in a group exhibition at Denmark’s Glasmuseet Ebeltoft in 2019, and in “A New State of Matter: Contemporary Glass” at Boise Art Museum in Idaho from November 3, 2018 to February 3, 2019, a group show which includes work from Steffan Dam (previously) and Amber Cowan (previously). (thnx, Diana!)
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Fox International Art
理念与使命
“艺术是一棵树摇动另一棵树,一朵云推动另一朵云,一个灵魂唤醒另一个灵魂。作为艺术家应该承担着改变人们生活的责任,应该学会成为真正的创作者,而不仅仅是当做一个职业。”
Fox是首家研发了“线下线上1+1”作品集跨界课程体系的国际艺术工作室。旗下还设有展览馆、产品开发基地、设计师经纪公司等多个部门。核心团队由英国伦敦中央圣马丁、美国帕森斯、英国皇家等顶尖艺术学院海归设计师、艺术家以及专家教授在2010年于伦敦和北京共同创立。
Fox国际艺术坚持传达狐狸精神-无畏、自由和颠覆。保持的使命是启发创意的无限延伸,倾尽全力创造平等机会、提倡多样性、充满活力与革新精神的工作环境,这也使工作室能吸引最有才能和创造力的设计师团队。不同文化的冲击,力求独特、创意、自由、甚至是极端反叛的艺术氛围,创意在这里并不是纸上谈兵。
Fox的设计师与学员,无论是背景还是专业能力都是业界首屈一指,与众多知名一线品牌、著名博物馆合作过,如大英博物馆、V&A博物馆、德国国立宝石博物馆、Gucci、Cartier、Alexander McQueen、施华洛世奇、Gareth Pugh、John Galliano、Dior、Alexander Wang、Giles Deacon、陈奕迅、余文乐等。
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