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温布尔登艺术学院

舞台戏服设计

戏剧服装主要包括人物的帽子、衣服、头饰、鞋履、裤子、裙子等与表演相关的服饰和配套的装饰物。它的设计和发展都是以电影、话剧或舞台剧的剧情和人物为中心，与音乐、台词、舞台背景、灯光以及演员的肢体语言等要素一起构成了一个完整的演出体系。

戏剧服装需要与戏剧的布景、演员的妆面相搭配。我们经常看到的电影里的戏服或美轮美奂，或夸张有型，或奇形怪状，搭配演员的妆发和场景的道具等，将我们带入电影的场景。如了不起的盖茨比，灰姑娘，伊丽莎白，唐顿庄园等电影电视剧，以及最近很火的了不起的麦瑟尔夫人。他们的戏服都经过精心的推敲与设计。整体符合戏剧的背景，那个年代的穿衣风格，在此基础上进行设计。整体色彩的搭配也显得尤为重要。

在国内前两年大火的网络剧“太子妃升职记”就以其出色的戏服设计博得了大家的眼球。也将戏服设计带入了大众视野。与伦敦时装学院的戏服设计不同，温布尔登的戏服设计更加传统，但并不意味着死板，依旧可以在传统中出新。并且温布尔登学院不仅仅只开设了戏服设计，几乎涵盖了所有的戏剧影视设计的课程。例如道具，剧场设计等等。喜欢的同学们都可以去调研看看哦～

BA Costume Design student India Arbuthnott is originally from Elgin, Scotland. Her admiration for Alexander McQueen’s unique and stunning fashion designs stirred her passion to become a designer. She told us more about her love of costume and her final pieces for this year’s Summer Show.

Please tell us a bit about your background and how you came to study at Wimbledon?

From a young age I  have found myself mesmerised by costume in theatre, film, opera, musicals and dance. I longed to be involved in the creation of these memorable and exciting images.  I am very passionate about making and creating turning something ordinary into something extra ordinary. I am extremely passionate about history, fascinated in particular by the 18th century, fascinated by the idea of mixing historical silhouettes with unconventional materials.

I knew Wimbledon would be the best college for me to learn about both historical and contemporary costume, while being able to push myself as a designer and maker. The friendly and encouraging atmosphere at Wimbledon made me choose this college for my degree. I wanted a course in which I could be expressive, mixing my artistic style with costume creation and Wimbledon has been able to provide me with this!

What are you plans after you leave Wimbledon?

I am traveling to New York for six weeks which I am extremely excited about. I love traveling and expanding my knowledge of theatre. From there I hope to gain more work in London. I have a couple jobs lined up which are very exciting.

Throughout my time at Wimbledon I have seen myself grow as a designer and have witnessed myself grow more confident within my designs. I have tried to create exciting and thought provoking work to change how costume can be viewed within the industry, I found myself fully committing and believing in each piece, enjoying seeing pieces come together from a drawing to reality.

I see myself as a much more professional worker, excited to move forward into the costume industry. I am extremely happy and proud with everything I have created. My biggest achievement has been overcoming my self doubt and I have been able to push myself and create things I have never even thought imaginable.

Who or what inspires you?

I love fashion and find a lot of my influences to come from Alexander McQueen, Charles Jeffery and Gareth Pugh. I am also extremely inspired by the work of Kirsty Mitchell. I have so much admiration for Lindsey Kemp and find his work in dance so hauntingly beautiful, I feel this has influenced my work greatly.

Also, I have always loved the east-end of London as there’s a wonderful energy. I love the old tea rooms market where I source a lot of taxidermy and oddities from, I think there is so much inspiration to be found there. I also love visiting quirky museums around London such as The Viktor Wynd Museum of Curiosities, Fine Art & Natural History, the Wellcome Collection, Hunterian Museum, Barts Pathology Museum, and The Gran Museum of Zoology and Comparative Anatomy – which holds some really fun events!

Do you have any advice for future students considering your course?

I think within this course you develop and create a style, not everything you create will be your idea, or perfect, but the whole course has been an incredible journey. I think there will definitely be times where it seems stressful or you want to quit but you have to push through, because in the end you see how incredible your time has been here and how much you have grown and developed as a costume designer. Wimbledon is like a family, the people are lovely and someone will always be willing to help you.

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Fox  International Art（北京部）已经经历了5年的风吹雨打，我们从不人云亦云，一直坚持自己独有的风格。2018年，Fox做了一个大胆的尝试，空间逐步升级，整栋五层将以一个新的实验性空间呈现（实验性意味着不断尝试被颠覆和修改），能够近距离感受艺术氛围带来的启发和碰撞。五层空间不同于其它精装修的办公空间，巧妙的结合了“贫穷艺术”，我们来回奔波与各个回收站、垃圾场、废墟、甚至是一些肮脏的地方，收集各种被丢弃或者失去意义的物体进行再创作，如废弃的冰箱、复古的洗衣机、扭曲的铁锅、有痕迹的管道、破裂的马桶、被撕毁的旧沙发、残缺的浴缸...再将生活里的各个有趣场景延伸到我们的空间里，加入新的故事情节，去重新定义物体的价值与空间的多样性。空间包涵Workshop、展览馆、艺术当铺和药铺、材料综合商店（厨房theme）、自由交流区（街头洗衣房theme）、艺术图书馆(下水道theme)、阅读区(澡堂theme)、楼道（火灾现场theme）、不正常人类后花园(红色沙滩theme)、学生公寓等多个开放性空间。我们将打造全国首家最具有实验性的艺术空间，让艺术和生活得到无限的连接和启发。

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Fox International Art

理念与使命

Idea and Mission

“艺术是一棵树摇动另一棵树，一朵云推动另一朵云，一个灵魂唤醒另一个灵魂。作为艺术家应该承担着改变人们生活的责任，应该学会成为真正的创作者，而不仅仅是当做一个职业。”

狐狸国际艺术是中国唯一一家把海外艺术教育与产品设计开发结合为一体的实验性艺术工作室。旗下设有：Fox International Art College(狐狸国际艺术教育学院）、产品开发基地、设计师经纪公司、展览馆、综合材料商店、快闪店、艺术当铺、艺术药铺和图书馆等多个部门。核心团队由英国伦敦中央圣马丁艺术与设计学院、伦敦时装学院、英国皇家艺术学院、美国帕森斯设计学院、芝加哥设计学院等海归设计师、艺术家以及海内外的专家教授在2010年于伦敦成立，2014年在北京重新建立新的艺术基地。

Fox国际艺术坚持传达狐狸精神-无畏、自由和颠覆。保持的使命是启发创意的无限延伸，倾尽全力创造平等机会、提倡多样性、充满活力与革新精神的工作环境，这也使工作室能吸引最有才能和创造力的设计师团队。不同文化的冲击，力求独特、创意、自由、甚至是极端反叛的艺术氛围，创意在这里并不是纸上谈兵。

Fox各个部门的设计师与学员，无论是背景还是专业能力都是业界首屈一指，与众多知名一线品牌、著名博物馆合作过，如大英博物馆、V&A博物馆、德国国立宝石博物馆、Guicci、Cartier、Alexander McQueen、施华洛世奇、Gareth Pugh、John Galliano、Dior、Alexander Wang、Giles Deacon、陈奕迅、余文乐等。