【Fox-Design】中央圣马丁BATextile2016－PRINT印染方向作品,FOX国际艺术微信公众号文章

【Fox-Design】

中央圣马丁BATextile2016－PRINT印染方向作品

NOOR KHAZEM

All the World’s a Game explores the gamification of human interaction, utilising the power of games in eliciting changes in our behaviour. The positive user experience from game play means that we engage, create, learn, and remember more. So can we play a print?

My print imagery has been made from games and 3D models I have designed and programmed. Instead of interacting with the textile itself, I have explored the idea that a textile could be the physical output of game play and digital interaction.

My prints are entirely Vegan and printed with eco friendly, water based ink.

PIERO D’ANGELO

Hybrid 21.16 explores the theme of hybrids and the relation between human and machine. Through my research I investigated how the human body could evolve in the future thanks to science and new technologies. Pushing print techniques, I’ve been able to aesthetically reproduce organic textures which resemble microorganisms, I have blended these with contrasting graphic patterns. It was very important to keep exploring traditional techniques like screen printing and hand embroidery through this project.

RENUKA RAMANUJAM

Atman, or World Soul, is a celebration of the origins of human creativity and life on the natural landscape. Taking inspiration from the beauty of old cartography, alchemy and the spiritual language of indigenous cultures, it aims to create a thoughtful visual narrative of humanity and its introspective, yet primal side. The project has culminated in a set of printed fabrics, all of which are various forms of organic cotton, or peace silk, printed with natural and biodegradable screenprinting inks, and dyed with natural pigments. A series of bioplastics has also been developed into various precious tools and adornments, stained and marbled with natural dyes.

Photography & Art Direction: Annemarieke Kloosterhof

Models: Anita Zaman and Alejandro Villa

VIRGINIA DURIGON-RICHARDSON

Urban layers, geometric shapes, pops of colour, boundaries, shadows and textures from railway tracks, construction sites, fencing and plastic tubing all provided the starting points for this project. Focusing on a constructive approach to print, I explored the concept of layers and boundaries through the use of laser cutting, weaving and vinyls. This 3D approach was also translated into 2D related screen-printed designs using acid print pastes on Nylon Lycra.

XUEJIAO QIN

The starting point of Inner Game was colour and how it can influence people’s moods and emotions. I illustrated an inner world inside people’s minds. The theme is subconsciousness, memories, and childhood. Hand-drawn patterns are based on doodles from my colour diary, which were inspired by visits to childhood museums. I set up scenes using toys and fabric I bought in a second-hand shop and took photos of them, combining the hand drawings and digital pictures. I looked at Tokyo street fashion that is colourful and cheerful. Piles of bright colours have been collaged together, creating a vivid and striking environment that may change both the wearers’ and the viewers’ mood.

ZUZANNA ANDRYSEWICZ

In the initial stage of the Still Life Dreams & Nightmares, I produced a large body of paintings and drawings based on my dreams which I noted in a ‘dream diary.’ Later on, I would search museums and art galleries to find similar symbols and ‘collage’ different elements together to create ‘dream images/scenes’. I translated the paintings into 3D models to create a ‘dream set’ incorporating modified objects found in second-hand shops into the sets. I have used my paintings to develop a screen-printed collection, mixing pattern with portraits and figurative drawing while testing new materials which I found during my material research: lamé together with matte lacquer. In later stages of project development, I reversed the process and used matte fabric and shiny finishes like metallic foil and glitter.

NA YOUNG KIM

Exploring patterns and textures of different animal skins through collaging, embroidering and embellishing to create “hybrid leather textures”.

ALEJANDRO VILLA DURAN

Tren Union celebrates working classes. Understanding the importance of unity in society for the construction of a better future, this project explores techniques used in urban construction, recreating them in a fashion context, manipulating a range of fabrics. Taking inspiration from the core of society, initial work embarked upon modest cottons, calicos and canvases before translating outcomes onto luxurious silks. Tren Union focuses on the construction of printed textiles through alternative printing, dying and manipulation processes. The processes embrace imperfections in the creative development. The works are the result of a spontaneous working method. They live in the moment and cannot be recreated. They are unplanned, but are the product of strenuous and reflective experimentation into textile processes.

Photographer: Timothy Gibbons

Model: Yasmina Atta

Intern: Vanessa Bon and Roseline Fiatuse

AMANDA TSUI

This project is originally inspired by the mood of isolation that is evoked when surrounded by the vastness of landscapes. Through the exploration of different playful means of mimicking the visual characteristics of landscape images, my abstract landscape images are translated into printed textile designs for fashion through the combination of digital and traditional screen-printing techniques.

Photography: Amanda Tsui

KATHERINE PLUMB

Big and bold, COLLARGED is the product of a playful exploration of pattern in purpose-built landscapes. With a ‘we’ll see where this goes’ approach, I began using collage allowing each design to influence the next to create a variety of pattern-focused textiles for interiors.

IRENE INFANTES

My research began with the exploration of the hidden values of objects and the cycle process of materials. I started taking pictures of everything interesting or colourful I found on the floor of different areas in London, always wondering how those objects got to that exact place, forgotten on the floor and devalued. What is a water bottle without a cap? Final pieces were produced in through experimental and artisanal processes, working at a large scale and using texture rich merino wool. Geometrical shapes were screen printed and needle punched with felt using a four colour base.

END

创意在这里并不是纸上谈兵

狐狸国际艺术教育

Fox Internaitonal Art Education

FOX国际艺术教育是由英国伦敦中央圣马丁艺术与设计学院、美国帕森斯设计学院、英国皇家艺术学院、伦敦时装学院等名校的设计师、艺术家和艺术界的专家教授2010年于伦敦创立的新概念形式的艺术设计团队，为对艺术设计有浓厚兴趣和天赋的学者们提供最专业的留学艺术设计作品集辅导、艺术留学、艺术设计展览、设计师推广和商业合作。

Fox保持的使命是启发学生创意的无限延伸，倾尽全力创造平等机会、提倡多样性、充满活力与革新精神的工作环境，这也使工作室能吸引最有才能和创造力的师资。不同文化的冲击，力求独特、创意、自由、甚至是极端反叛的艺术氛围，创意在这里并不是纸上谈兵。

Fox数年来培养出百名成功案例，100%录取，陆续进入伦敦艺术大学以及其它欧美艺术设计院校深造。工作室的艺术设计导师，无论是自身背景还是专业能力都是业界首屈一指，与众多知名品牌、著名博物馆合作过:大英博物馆、V&A博物馆、德国国立宝石博物馆、Cartier、Alexander McQueen、 Gareth Pugh、 John Galliano、Dior、Coco Chanel、Alexander Wang、Tiffany&Co、 Van Cleef&Arpels、Swarovski、Vivienne Westwood、Giles Deacon等。

基地一

艺术设计留学作品集课程设置

1 未来主义TOP院校VIP名校直通作品集课程（保过制）

2 自由主义不限课时制作品集课程（非保过制）

3 解构主义周末小班作品集课程（暑期开学后的每周日）

4 超现实主义寒暑期作品集课程

基地一

学员Tutorial和作品展示空间

专业方向

包含了几十所世界顶级院校的各类艺术专业

纯艺术 Fine Art

插画 Illustration

平面设计 Graphic Design

女装设计 Fashion Design Technology: Womenswear

男装设计 Fashion Design Technology: Menswear

面料设计 Fashion Textiles

室内设计 Interior Design

产品设计 Product Design

珠宝设计 Jewellery Design

时尚包类&配饰设计 Fashion Bags & Accessories Design

建筑设计 Architectural Design

陶瓷设计 Ceramic Design

鞋履设计 Footwear

摄影 Photography

景观设计 Landscape Design

动画设计 Animation Design

交互设计 Interactive design

UI设计

表演设计 Performance Design And Practice

时尚管理 Fashion Management

时尚买手 Fashion Buying

奢侈品管理 Luxury Management

基地二

FOX国际艺术教育的优势和特色

唯一一家导师创造了短时间跨学科辅导并被伦艺等名校本科、硕士研究生录取的记录
保持转专业学员录取最多的记录
连年保持伦敦艺术大学等顶级名校全国录取率第一的优异记录
工作室保持拥有最多海外顶尖学院优秀导师的记录
中国唯一一家最具艺术气息的设计工作室。氛围的建设，不同于其它机械化的机构，学员可以通过艺术设计陈列展示区域，直接的看到海内外设计师、艺术家和学员的优秀创意作品
100%了解并掌握名校作品集申请要求,面试考官评判标准,作品集的呈现和表达方式
100%的录取率，学员成功获得欧美等海外艺术院校的录取
学员的艺术设计作品均有机会得到免费的公共展出,并有商业合作的机会
工作室结合名校风格理念，作品评判方式，独自创造研发了极富创意的教学内容，通过不同形式的理念挖掘学生的潜力和天赋，从抽象到实现，对学员的作品进行细致的分析和指导，保证作品的创造力和思想
采用西方个性化教学模式，中英文授课，提前适应西方的教学环境
师资力量多元化，包括中央圣马丁等名校的优秀设计师，资深外籍导师，著名艺术家等
工作室内设有独特的材料墙，灵感墙以及艺术设计书架，随时激发学员灵感
阶段性的邀请中央圣马丁等名校校友，设计师或艺术家开展讲座、公开课、分享艺术设计学习趣事、作品和行业发展趋势