图文编辑｜FOX 版权所有，转载请注明出处 创意在这里并不是纸上谈兵 “First of all, I think jewellery can be an object not meant to be worn. As jewellery can be alive by itself without the wearer. Therefore in the collection, I am exploring different ideas related to animation of jewellery. – From the starting point, I was inspired by my mother – she always wears a silver chain, I have never seen her take it off from when I was small until now. Usually the chain is partly hidden beneath her clothes. I was interested and intrigued by the way she wears the chain – the relationship between public and private, visible and invisible. Therefore, I copied my mother by putting her long pearl necklace beneath my everyday clothing. As the pearl necklace has some volume, so the clothes took it’s shape and form to create an embossed pattern, to intrigue the viewer and give an illusion of the necklace running through under the clothes. – Bella Mung Textile, pearls To inform my work, I have been reading books about the history of the pearl and the relationship between pearl necklace and the society. Therefore, I created ‘The double life of a necklace’ which is unisex, it can easily change to tie or reverse with the necklace magnet clasp. – For most of the collection, I have chosen to use everyday clothes with the combination of pearl necklace ‘running through’. For example some of the pieces are the everyday wear T-shirt or T-shirt shape with different materials. And other pieces are usually worn everyday – Oxford shoes, white canvas shoes and a hoodie. All the pieces in my collection are serious but at the same time also full of humour”. My name is Beatrice and I am from Milan, but I have been studying BA Jewellery Design at Central Saint Martins in London for the last four years. I am very lucky to have found my passion so early in life because it truly is what I want to do in my life. My final collection ‘The Western Orient’, which was inspired by the increasing importance of the Asian market in today’s society, is a merge between the Orient’s heritage and the West’s strong consumer capitalist culture. The motifs embedded within the jewellery hold symbiotic connotations which function as a social critique of the globalisation in Eastern Asia. This piece in particular is based more on the Western aspect as it focuses on the phenomenon of conspicuous consumption by means of stating the ‘price’ on the pearls. I like how timeless and elegant pearls are and the contrast that they create in my work, which uses very contemporary imagery. The pearls in my collection make my jewellery look more refined as they give it a lustrous classic undertone. “Dream big” My name is Claudia Rice and I have come into the craft of jewellery making and designing from having my father (and his father) in the jewellery business all his life as my influence. Starting as a watchmakers apprentice at 15, he was a traveling salesman for Mikimoto and Rosita Pearls during the 70s, setting up workshop in Hatton Garden to having his own shop in Marylebone high street, where I spent a lot of my time. These surroundings have fed my desire to be part of that and continue my family trade. My inspiration stemmed from research into my dissertation on the subject of The History of Hatton Garden and my family connection with it. Becoming intrigued by maps of old London, discovering locations of ‘hidden treasures’, using an A-Z from 1969 and making a link with the modern technology of Google Maps. Winning a design award from the Worshipful Company of Tin Plate workers. “What goes around…” I am a quietly confident person, I enjoy being creative and I don’t work well under pressure! The theme for my collection is reconnecting with those we have lost, through every day gestures, such as the simplicity of placing a necklace on a loved one. Graduating (hopefully) and going into the world of work. I love the simplicity of pearls, they are glamorous in a beautiful yet understated way. I have enjoyed the opportunities CSM has provided, and the opportunities we have had that we wouldn’t have gotten anywhere else. I love the sculptures of Barbara Hepworth, I love the simplistic designs and the perfection in the lines. “The best things in life aren’t things.” END 版权所有，转载请注明出处 创意在这里并不是纸上谈兵 狐狸伦敦艺术设计工作室 FOX LONDON ART AND DESIGN STUDIO 专业方向 包含了几十所世界顶级院校的各类艺术专业 纯艺术 Fine Art 插画 Illustration 平面设计 Graphic Design 女装设计 Fashion Design Technology: Womenswear 男装设计 Fashion Design Technology: Menswear 面料设计 Fashion Textiles 时尚买手 Fashion Buying 室内设计 Interior Design 产品设计 Product Design 珠宝设计 Jewellery Design 建筑设计 Architectural Design 陶艺设计 Ceramic Design 表演设计 Performance Design And Practice 时尚珠宝设计 Fashion Jewellery Design 时尚包类&配饰设计 Fashion Bags & Accessories Design 时尚插画 Fashion Illustration 时尚摄影 Fashion Photography 时尚管理F ashion Management 时尚买手 Fashion Buying 奢侈品管理 Luxury Management 景观设计 Landscape Design 动画设计 Animation Design 鞋履设计 Footwear 时尚发型和化妆 Hair and Make-up For Fashion 交互设计 Interactive design 工业设计 Industrial design UI设计 狐狸伦敦艺术设计工作室的优势和特色 唯一一家导师创造了短时间跨学科辅导并被伦艺等名校本科、硕士研究生录取的记录 保持转专业学员录取最多的记录 连年保持伦敦艺术大学等顶级名校全国录取率第一的优异记录 工作室保持拥有最多海外顶尖学院优秀导师的记录 中国唯一一家最具艺术气息的设计工作室。氛围的建设，不同于其它机械化的机构，学员可以通过艺术设计陈列展示区域，直接的看到海内外设计师、艺术家和学员的优秀创意作品 100%了解并掌握名校作品集申请要求,面试考官评判标准,作品集的呈现和表达方式 100%的录取率，学员成功获得欧美等海外艺术院校的录取 学员的艺术设计作品均有机会得到免费的公共展出,并有商业合作的机会 工作室结合名校风格理念，作品评判方式，独自创造研发了极富创意的教学内容，通过不同形式的理念挖掘学生的潜力和天赋，从抽象到实现，对学员的作品进行细致的分析和指导，保证作品的创造力和思想 采用西方个性化教学模式，中英文授课，提前适应西方的教学环境 师资力量多元化，包括中央圣马丁等名校的优秀设计师，资深外籍导师，著名艺术家等 工作室内设有独特的材料墙，灵感墙以及艺术设计书架，随时激发学员灵感 阶段性的邀请中央圣马丁等名校校友，设计师或艺术家开展讲座、公开课、分享艺术设计学习趣事、作品和行业发展趋势 报名联系方式 咨询电话：18633949490 / 010-57209060 地址:北京市朝阳区东大桥路8号SOHO尚都，侨福芳草地对面，邻世茂天阶 报名官方微信：FoxLondonArtStudio 长按即可关注 官方微信 官方公众平台
Bella MungAnimated Jewellery｜Bella Mung
Piece: Pearl Hoodie, 2013BEATRICE BONGIASCA
Tell us a bit about yourself.
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What do you like most about pearls?
What’s your motto?
CLAUDIA RICE
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What has been your best experience or moment at CSM?
What’s your motto?
EMILY WRIGHT
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What do you like most about pearls?
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工作室实景
工作室实景
“珍珠”的无限可能|中央圣马丁最具颠覆的概念珠宝设计
