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 TADAOCERN

I’ve decided that I want to try a different approach to the art world by studying architecture and then diving deep in to contemporary art field. So my visual perception together with my creative process are very much influenced by the things that I’ve learned at the beginning. As an architect you are very closely related to human anthropological behavior and habits – you work around them, with them or try to change them. And now as an artist I have the same field of interest – I question what affects human actions in a certain way and can those things be changed. I consider art field as a laboratory for Homo Sapiens where each art piece is an experiment helping to distinguish our actions/interactions and natural behavior boundaries - as an artist you can document, change, create or get rid of them. 

I try not to take everything that is around me for granted - I love taking everyday objects or occurrences, strip them to their basic concepts and reintroduce them as art. This process works as a refreshment, helping us to see things that we forget and take for granted. 

My creative style is very much affected by my architectural background too: I work in a very systematic and rational way, all my artistic decisions are calculated and I’m always looking for most hygienic expressions so the ideas would become as clean as possible.

"Initiations", 2017

Compressed you, paint guns, metal, rubber, paint.

"Black Balloons" 2016

For an extensive amount of time I had an idea to connect two balloons. I found a free minute between the other currently run projects, bought two balloons, and got overwhelmed by the result. 
It was so unpretentious and so magical at the same time! That opposition created by two very simple and playful objects once again brought a unique childlike sense of discovery.  
This experience uncovers a lot and the more one looks at it, the more it becomes true: "simplicity is genius".  
For the first test I only used two balloons and two different gasses: helium and sulfur hexafluoride - the light and the heavy ones.
Later on I worked out how to make the balloons float in the middle of a glass tank without connecting them to anything.  
Once placed in a particular space these black objects divide it in to many equal segments and trick viewers mind by giving him a feeling that he’s seeing a rendering from augmented reality.  
Furthermore, they interact with the spectator in so many ways - one can only imagine how a sculpture made out of 400 balloons would react to a wind that one creates just by walking by. 
And after a second the composition returns to its previous state forming a perfect grid that looks so unrealistic, because this is more common for a computer generated images rather that a reality around us. 
Materials: Rubber, plastic, sulfur hexafluoride, carbon dioxide, heliu

"Adobe Acrobat"

2016. Installations out of alloy rims.

This is a story about something that is useless; something that doesn’t have any real purpose, but it’s crafted so accurately and is labor-intense. 
A story about something important and yet something that could disappear without us even noticing. 
Something that can cost a lot, but will give a very questionable value. Something very common and overlooked at the same time. 
This is a story just like any other story today.

Hanging Paintings", 2017

I was missing two aspects in Painting – appropriate portrayal of what we are and true connectivity between the art work and the viewer.
I wanted to create paintings that wouldn’t just hang on the wall as a plain visual expression of something that has happened to me or I experienced in any other way. 
I needed a work that would be outlasting same things as I am, at the same time and place. I needed and a companion… I wanted to see myself, hanging on the wall in front of me. 
Hanging Paintings documents and mimics one of the biggest parts of our existence that’s been with us from the very beginning 
and what separates us from the others – dressing up by covering our bodies with fabric for aesthetical and functional reasons. 
And most importantly textile compositions experience and depict the same physical conditions as we do – light, temperature, humidity, gravity, wind, etc.  
Every single piece that I did for these series felt like a revelation to me and I keep doing them over and over again. What I love about them the most is that 
they are absolutely good-for-nothing object and that nobody ever wore them and nobody will. This is Season 01 of a project Hanging Paintings. 
Metal, dyed wool

“打扮自己就是借不同风格的衣服来改变自己的外貌”。为自己着装占据了我们人生的大部分时间，因此，设计师希望用自己的方式来展现这一行为。这一系列的每一件作品对设计师来说都极具启发性，于是他不断地重复着这一系列的创作。然而对设计师来说，这一系列作品最有趣的是，这些作品是毫无实用性的，没有人将它们穿戴在身上，也不会有人这么做。

“To dress up – to put on special clothes in order to change your appearance”This is such a big part of us so I had to document it in my own way.Every single piece that I did for these series felt like a revelation to me and I keep doing them over and over again. What I love about them the most is that they are absolutely good-for-nothing object and that nobody ever wore them and nobody will.

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Fox International Art

理念与使命

Idea and Mission

“艺术是一棵树摇动另一棵树，一朵云推动另一朵云，一个灵魂唤醒另一个灵魂。作为艺术家应该承担着改变人们生活的责任，应该学会成为真正的创作者，而不仅仅是当做一个职业。”

“Art is a tree shaking another tree, a cloud propelling another cloud and a soul awakening another soul. Being an artist should bear the responsibility of changing people’s lives and should learn to be a true creator, not just take it as a profession."

狐狸国际艺术是中国唯一一家把海外艺术教育与产品设计开发结合为一体的创作工作室。旗下设有：Fox International Art College(狐狸国际艺术教育学院）、狐狸产品开发基地、狐狸设计师经纪公司、Fox Gallery(狐狸展览馆)、Fox Material Shop(狐狸综合材料商店）和Fox Library(狐狸图书馆)等多个部门。核心团队由英国伦敦中央圣马丁艺术与设计学院、美国帕森斯设计学院、英国皇家艺术学院等海归设计师、艺术家以及海内外的专家教授在2010年于伦敦和北京共同创立。

Fox International Art is the only creative studio in China that integrates overseas art education with product design and development. And it has Fox International Art College, Fox Product Development Base, Fox Designer Brokerage Company, Fox Gallery, Fox Material Shop, Fox Library and other departments. The core team was jointly founded in London and Beijing in 2010 by returning designers, artists and experts from home and abroad, including the Central Saint Martins College of Art and Design in London, the United States Parsons School of Design and the Royal College of Art in the United Kingdom.

Fox国际艺术坚持传达狐狸精神-无畏、自由和颠覆。保持的使命是启发创意的无限延伸，倾尽全力创造平等机会、提倡多样性、充满活力与革新精神的工作环境，这也使工作室能吸引最有才能和创造力的设计师团队。不同文化的冲击，力求独特、创意、自由、甚至是极端反叛的艺术氛围，创意在这里并不是纸上谈兵。

Fox International Art insists on delivering the fox spirit - fearlessness, freedom and subversion. The mission  of the company is to inspire unlimited creativity and to make every effort to create a work environment that promotes equal opportunities, promotes diversity and is full of vitality and innovation, which also enables the studios to attract the most talented and creative designer teams. In the face of the impact of different cultures, it seeks to create a unique, creative, free and even extremely rebellious artistic atmosphere with the aim of proving that creativity here is not existing only on paper.

Fox各个部门的设计师与学员，无论是背景还是专业能力都是业界首屈一指，与众多知名一线品牌、著名博物馆合作过，如大英博物馆、V&A博物馆、德国国立宝石博物馆、Guicci、Cartier、Alexander McQueen、施华洛世奇、Gareth Pugh、John Galliano、Dior、Alexander Wang、Giles Deacon、陈奕迅、余文乐等。

Designers and trainees in all departments of Fox, both in terms of background and professional ability, are the best in the industry. And all of them have worked with various well-known first-line brands and famous museums such as the British Museum, V&A Museum, German National Gemstone Museum, Guicci, Cartier, Alexander McQueen, Swarovski, Gareth Pugh, John Galliano, Dior, Alexander Wang, Giles Deacon, Eason Chan and Shawn Yue.